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We parked our car in a nondescript parking lot in front of a shuttered Chinese restaurant in a part of town best described as completely dead.

This is exactly what my friends and I did last weekend when we called a phone number and determined the location of a rogue gathering called 'Yo Gabba Gabbar!' The event's Facebook page says it caters to a 'responsible 16+' crowd, listing a variety of sensible commandments such as 'no weapons, no attacking other ppl with malicious intent, no stealing, no blah blah blah.' Sometimes a side room might offer a DJ or two, but for the real deal, a dedicated event, you need to venture deep into Oakland's wasteland-like expanse of strip malls and warehouses. You don't often hear of gabber parties in San Francisco. Its negative associations caused it to recede for a while, but a new crop of producers (such as the Netherlands' Angerfist) have attempted to redeem it from the fascists and move it back towards respectability in the modern rave circuit. It's an underground style that's had its share of controversy over the years-most notably in the form of its popularity among European neo-Nazi skinheads. (For comparison, hip-hop is often at 90 and house hovers around 120). Best described as the 'thrash metal' of dance, it's a vicious onslaught of ultra-distorted kick drums and violent samples at speeds often in excess of 200 beats per minute. The genre is gabber, and many consider it to be the most brutal form of dance music ever created (here's an example). Young Dutch ravers took to the extreme side of techno and decided they'd create something even more intense. In the mid-'90s, a new sound emerged from the rough clubs of Rotterdam.

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